Wednesday, March 04, 2009

 

Movie Review: What Just Happened



Synopsis

Ben (Robert De Niro) is one of the thirty most powerful movie producers in Hollywood ... but he's rapidly falling off that list. His latest film infuriates test audiences and his next picture may be shut down if the star (Bruce Willis) refuses to shave his beard. Ben's personal life is in a shambles, too, as he struggles to reconcile with his ex-wife and relate to his teenage daughter.

Pros:


Cons:


Generally:

2 on a scale of one to five. Wasted potential.

Extended Review:

There's an air of pretension about movie makers who make movies about the process of making movies. The end result sometimes seems contrived and disingenuous. Especially when the movie aims to mock Hollywood for it's hypocrisy, it's phoniness, and it's laser-beam focus on the bottom line. It's as though the people involved in the movie are saying "We're part of this industry, but we're somehow above it."

I think it's the same elitist attitude that allows Hollywood liberals to mock their own country.

Still, a good satire is a good satire, and who knows the movie industry better than movie industry insiders? So we see these movies so we can feel like we're "in on the joke." Especially movie geeks like me, who spend an inordinate amount of our free time obsessing about movies anyway.

Barry Levinson's What Just Happened is one more case of a big-named director and some huge stars biting the hands that feed them, and I'd imagine that everyone involved thinks they've turned out something subtle, smart and funny. But they haven't. What Just Happened never seems insightful, in fact it never even seems to want to offer insight. Worse still, it's just not very funny. A satire that's neither funny nor penetrating isn't much of a satire at all.

Not that What Just Happened is a terrible film. It has it's charms. Robert De Niro has a real affinity for dry comedy (see Levinson's Wag The Dog) and it's nice to see him get to play something other than a cop, a grizzled cop, a psycho or a psycho cop. I'd like to see him get more roles like this. Most of what does work in this movie hinges on his sympathetic, relatable performance. Other talented character actors (Stanley Tucci, John Turturro, Catherine Keener) have less to do with smaller parts and sometimes seem to be playing it a bit too low key. Comedy doesn't have to be broad or physical, but it should at least be apparent.

The highlight of the movie is Michael Wincott as a moody, drug-addled director; sort of a cross between Keith Richards and Jim Jarmusch. Wincott seems to be the only performer in the whole movie who's having any fun, and he really makes his character pop with a physical, high-tension performance. In fact, Wincott steals all of his scenes and ends up the film's MVP. This isn't the first time I've noticed that Wincott's work was the best in a film (The Crow, Dead Man, Before Night Falls), and it's a shame that he always ends up in second-tier roles. Michael Wincott is a talented actor with skills in comedy, drama, even action. It's long-past time somebody gave him a starring vehicle.

Other characters in the movie are broad parodies of real people. Bruce Willis plays himself via Christian Bale, trashing sets and threatening co-workers and pouting and preening. Sean Penn, as an artsy-fartsy Hollywood darling named Sean Penn, is just right for his role. But neither of them bring much more to the film than a certain brief novelty, and that novelty wears off long before the movie is over.

And the the best parts of the movie are the parts that seem incidental and unrelated to the plot. Satiric jabs at the trappings of modern life provide the movie's best moments. The Wincott character says about the mood stabilizers prescribed to him that they're so powerful you could "watch your own mother get gang raped in broad daylight and still appreciate the weather." De Niro and his ex-wife attend former couple's counseling with the absurd goal of becoming so happy with their divorce that they never want to get back together. After a one-night stand, a self-conscious De Niro uses Just For Men hair dye ... and he uses it everywhere.

Given the tremendous talent behind it, What Just Happened could have been a much better movie than it actually is. It's a shame that Levinson and company seem to have been more interested in turning out 104 minutes of precious navel-gazing and dialed the satire back to 0.5 instead of turning it up to eleven.


Trailer:



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